No strobes, no crew, no set. I work with the light a room or a hillside already has, which means a sitting is mostly conversation and waiting.
Fifteen years of portraits: authors and their jacket photographs, founders who hate being photographed, families who want one good frame on the wall, and long documentary series made for no client at all.
Film for personal work and anything made outdoors after dark. Digital in the studio, where a client needs to see the frame as it happens. Everything is printed before it is delivered — a photograph that only ever lives on a screen has not really been finished.